Seeing where the road leads

When I decided a few years ago to seriously pursue my lifelong dream of becoming a novelist, I knew it would take a lot of time and effort and a certain amount of sacrifice. Those were all acceptable choices to me, considering what I hoped to gain at the end of it. What I didn’t quite realize was how patient I was going to have to be about the roads I had to go down to get to wherever I was going.

When I first settled down to this pursuit, I finished a mystery that I’d started some time before. I love reading mysteries, so it makes sense that that would be the genre I’d choose to write in. I sent the finished manuscript off, and it eventually connected with an agent who liked it but thought that a certain aspect of the book needed work. The two main characters were former lovers who had to learn to work together to solve the problem. My agent didn’t find the romantic element of the book believable.

Well, what can I say? I’m not a romantic person. At least, that was the belief I had about myself and my writing. So I talked to a few friends and finally a romance writer colleague said to me, “You need to write a cabin romance.” Two people, obstacles, happily ever after. She thought that if I did that, then I would be better able to describe what love feels like and how it looks, how two people in love interact with each other, all of that.

Writing a romance had never been on my to-do list. In fact, if there is such a thing as a not-to-do list, that would have been on it. But I didn’t have any other agents knocking on my door, and this agent wasn’t going to sign me until I fixed the problem, so I sat down and wrote a short romance. 50,000 words later, I’d figured out how to write about attraction and fear of rejection and attachment and happily ever after. What surprised me was how much I enjoyed the entire process. It stretched my skills, trying to figure out how to maintain tension in the plot when everyone knows how it turns out, and it was challenging to learn to control my voice so that it didn’t take over the narrative.

After I was done, I took what I’d learned and rewrote the mystery. The agent loved the revision, signed me, shopped the manuscript and then — cue the dramatic flourish — nothing happened. The mystery didn’t sell.

But the romance did.

It still makes me smile to think about that. Being accustomed to getting paid for my words, I didn’t want to just write 50,000 of them and stick them away in a drawer somewhere, so I submitted the mansucript to a romance publisher. I was offered a contract and the book came out in 2008 under a pen name.

I can’t control very much of what happens in publishing, but I can open myself up to exploring opportunities and possibilities and seeing what happens next.

On Being Busy

A few months ago, I was giving a talk at a writers’ group on how to stay motivated to write even when faced with rejection and other challenges. During the Q&A session afterward, several of the writers asked about finding time to write.

There are many questions that I don’t know the answer to, such as “Why is the sky blue?” “Where can I find the time to write?” is one of those questions. I have no idea where you’re going to find the time to write. I only know that if it matters to you, you will.

But I didn’t give that answer, not wishing to appear ungracious. I said a few of the usual bromides: don’t watch so much television, schedule your writing time as if it were an appointment, choose your own priorities. Most of the people just wanted reaffirmation that they could privilege their writing, allow it to be more important than dusting the coffee table, and I was happy to oblige. But as usual there was one writer in the crowd who absolutely could not find the time to write today, this week or even for the next several months. Absolutely not.

I asked if she thought there was any way she could even spare even a few minutes a day to do some journaling — any kind of writing that would keep her creative habit going. But there was absolutely no way. She had a job, and kids, and a husband, and some after-work events and family commitments and so on and so forth.

I said, “Okay.” And shrugged. You win, I wanted to tell her. But take a good look at what you win before getting all excited about it.

I am not the first person to point out that as a species we are all so in love with our busy-ness competition that we lose sight of the fact that winning it generally means we don’t have any idea of what’s really important in our lives. We just rush around and rush around, letting other people with other agendas tell us how to live.

I’m betting you, like me, spotted the flaw in the writer’s argument about being too busy to write. If she was too busy to write, and writing is important to her, what was she doing listening to me talk? She could have been using that time to write.

But very often we don’t see the obvious because we’re so busy (ha ha) making our circumstances fit our beliefs. We believe we’re too busy to write (or to pick up men or to learn Sanskrit), and we make that belief come true without even thinking about it.

If there’s something important you want, claim it. Don’t let your ego and your untested beliefs get in your way.

Finding a Teacher

A blogger I follow — Laura Young at No Safe Distance — recently posted on the importance of carefully choosing role models. This got me to thinking about all of the teachers I’ve had over the years who’ve helped me to understand how to accomplish various goals. They’ve also helped me see the reality of various goals I’ve set for myself. When I actually talk with successful novelists, for example, it helps me see that there’s nothing magical about their lives, so I don’t expect to somehow be transformed into a carefree, happy-go-lucky charmer if my next novel makes the New York Times Bestseller List. That doesn’t mean I wouldn’t like it to happen. I just know that the reality is, I will still have to deal with rejection, editors who change jobs, royalties that take a while to arrive and all of the other usual challenges of the writing life.

I’ve found teachers in various ways over the years. Here are some suggestions for how you might find yours:

Consider who in your life right now might be a good teacher for you as a writer. If you have someone in mind, consider yourself an apprentice. It doesn’t need to be a formal relationship. You could offer to buy the teacher lunch if he or she will give you some pointers about writing.

If no one pops to mind, then keep yourself open to finding a teacher. Don’t force the issue, but do pursue opportunities that you may have disregarded before. For example, take a writing class at a nearby college or arts center. Attend a writers’ workshop. Join a writers’ organization and participate in local meetings. Go online and take part in writers’ listservs and bulletin boards. Hit the library and find books by writers you admire, and books about writing that can guide you. Let others around you know that you’re open to finding a teacher or mentor who can help you shape your writing and your writing career.

What are some ways you’ve found a teacher?

The Warrior Lays Down Her Sword

I was five years old when I decided I wanted to make my living writing novels. It’s the only thing that has never changed about me. As I grew older, friends and family let me know how difficult it was to make a living as a writer. Becoming a writer, it seemed, was not a very practical plan. I listened to everyone else who told me what I should do instead, and I tried that for a while.

I went to college, then worked for an insurance company. I wrote novels in my spare time, and put them in my drawer. Now and then I’d send one out to an editor somewhere, and when it was rejected, I would be crushed and spend my evenings doing something else. Then the need to write another story would come along, and I would eventually write it, and put it in the drawer, too.

When I was in my late 20s, I started training in martial arts. Sometimes I think this was the first good idea I’d had all by myself that I didn’t need anyone else to endorse or validate. On the very first day, my instructor showed me how to kihop (the Korean word for the martial arts shout that you remember from all those Bruce Lee movies). I felt like I had finally found my voice. I learned that I could say something out loud, even a thing someone didn’t want to hear, and nothing awful would happen.

Of course, sometime later I found out that awful things could happen, but that’s another story for another day. In the meantime, I learned how to stand up for myself, to make choices for myself and to stop listening to other people. This experience actually led me to a writing career, although not exactly the one I had always sought. I began writing about martial arts, about women and empowerment. It was a wonderful experience and I don’t regret a minute of it. But it was not the kind of writing I had wanted to do from the time I was five.

When I was 40, a succession of mistakes, bad luck, fate (or possibly karma, but then I’d have to believe that I was a *really* bad person in a former life) and the accumulated fatigue of a long life of effort made me step away from everything I was doing and just say “stop.”

I had to find my voice again. I had to give myself a real chance to be the person I wanted to be. For me, that meant getting rid of pretty much everything I had (except the kid and the immensely cool dragon I got in Chinatown) and starting again from the ground up.

It’s now a few years later, and I’ve done enough navel-gazing to know that the lint isn’t going to reveal any secrets any time soon.

What now? That’s what this blog’s about. I hope you’ll chime in with your stories about your pivotal moments, your “what now”s, your second acts. Together we can figure out what works and what doesn’t and how we can build the life we want from the ground up.