Archive for September, 2009

Book proposal basics

Monday, September 28th, 2009

Like most agents (like most anyone), I spend my days juggling a lot of competing priorities.  I always have more opportunities — in terms of clients I could take on, editors I could schmooze with, colleagues I could connect with, projects I could work on — than I have actual time and energy. 

So here’s the thing: if I like your book idea, but your book proposal needs work, I have to think really hard and really long about whether I want to do the work that’s going be required of me to get your proposal ready for the world, even if you’re going to be doing the heavy lifting of editing, revising and polishing.  And trust me when I say: if I have to think really hard and really long about anything, the answer usually ends up being “no.”

Some questions to ask when you’re getting ready to send your proposal out:

Is this really different from other books like it?

Why would anyone want to read this book?

Is my writing appropriate to my audience?  If you’re envisioning your book on the shelves at Borders, then your proposal should be written in a trade voice, which is not the voice you used when you wrote your dissertation.

Is my argument or theme logically and consistently presented?  Do I even have an argument or theme?  (In other words, what is the point of my book, and is that point clear from the very first page of the proposal?)

Why would an editor (or agent) look at this proposal and think, “Wow, this is a book I have to buy (represent)”?

If you don’t know the answer to any of these questions, or your answer is “no,” then spend a little more quality time with your proposal.  You’ll be glad you did.

For more information on book proposals, visit my website.

Getting Past Go

Thursday, September 24th, 2009

This is a guest post by the energetic Linda Formichelli, co-author of The Renegade Writer.  If you’ve ever fallen asleep at your computer when you should be working, this post will give you some ideas on what to do differently:

 

One of the many reasons freelancers procrastinate on writing, marketing — everything — is that they’re too tired to work.

 

In 2008, I suffered often from lack of energy. How hard it is to get anything done when all you want to do is (1) drink coffee or (2) sleep. So my resolution for 2009 was to boost my energy. Here’s what I did (and it worked like a charm!):

 

Talked with my life coach.  My life coach is the most energetic person I know, and she gave me some great tips and motivation to increase my energy. You don’t have to shell out for a life coach, though. Make an appointment with your doctor to ask her how you can become more energetic, and she can help you go over your lifestyle and see where you can improve. You can also glean energy tips from books on health, wellness, nutrition, fitness, and energy, such as The Exhaustion Cure: Up Your Energy from Low to Go in 21 Days by Laura Stack. I like YOU: The Owner’s Manual: An Insider’s Guide to the Body that Will Make You Healthier and Younger by Mehmet Oz and Michael Roizen, which has good, basic health tips.

 

Got serious about vitamins.  I started taking a good multivitamin every day (before I was hit-or-miss about it), and also started taking fish oil capsules twice a day. (I remember that in one of the YOU books I mentioned above, Drs. Oz and Roizen mentioned that anything you can do that’s healthy for your heart will increase your energy.) My doctor also recommended I take 2,000 IU of vitamin D since many of us don’t produce enough D in the winter months.

 

Bumped up the exercise.  I’ve been an off-and-on exerciser for years, but when I went on this quest for energy, I got serious. I now do weight training twice a week with a trainer, do yoga once or twice a week, and walk to and from my office, which is about a mile away) most days of the week (weather permitting).

 

Started eating breakfast.  This was a big sticking point for me. I used to love breakfast, but at some point in 2008, I started skipping it. Like many people, I just couldn’t stomach food in the morning. My life coach convinced me to start making smoothies for breakfast, so I concocted a healthy smoothie with banana, frozen blueberries, ground flax seed, natural peanut butter, raw honey, ad lowfat milk. It takes two minutes to make and it goes down easy in the morning. And it keeps me going, bursting with energy, until lunch! If you’re a breakfast skipper, consider trying smoothies in the morning to up your energy.

 

Cut out most caffeine.  The research jury is still out on how best to use caffeine to increase your energy, but I recently read that if you drink too much of it, you’ll get used to it and the caffeine won’t have the same effect it used to. Now, I drink the occasional tea, but when I really need a boost to get through a slump, I’ll have a coffee or an iced coffee.

 

Banned the sugar high. Nothing depletes your energy like too much sugar. It blasts into your bloodstream, giving you a short-lived boost — and then leaves your body just as quickly, leading to a crash. I used to be the queen of sweetened drinks, but now I limit myself to one sweetened beverage per day. I also replaced the sugar in some homemade drinks like lemonade with agave nectar, which is a low-glycemic sweetener that doesn’t give you a sugar rush. (By the way, I still count drinks sweetened with agave as a sweetened drink and limit it to once a day.)

 

Got serious about relaxation.  If you don’t give yourself time to unwind and do the things you love, you’re likely to burn out — and to procrastinate on things like work. During super-stressful periods at work, I make sure to take a long hot bath every night. And several nights per week, I do guided meditations before bed. (I use the free podcasts from The Meditation Podcast.)

 

What do you do to bump up your energy when you’re feeling low? Please post in the Comments below!

 

About the author: Linda Formichelli has written for more than 120 magazines and is the co-author of The Renegade Writer: A Totally Unconventional Guide to Freelance Writing Success. She offers e-courses for writers at http://www.writeformagazines.com and free teleclasses for writers; you can sign up to receive details on the teleclasses at http://therenegadewriter.com/linda-formichellis-free-teleclasses/

 

Monday Round-up

Monday, September 21st, 2009

One of my wonderful publishers (Wish) is letting me sell e-copies of some of my martial arts books on my website.  Check it out!  How cool is that?

Meredith Resnick over at the Writer’s [Inner] Journey recently posted this interview with me.  If you’d like to know a bit more about what it’s like to work with me, head over there and find out!

Also, hop over to Editorial Anonymous for some insight into what ”high concept” means and doesn’t mean and why you should care.

And I am so disheartened that my KC Chiefs lost to Oakland that I’m thinking about switching allegiance.  Seriously.  Losing to Oakland is like sticking a fork in my heart.  Well, at least KU won.  Okay, over Duke.  But still.

More good news

Thursday, September 17th, 2009

I promise to get back to having some craft and how-to information on the blog, but I’ve had such a run of good luck lately that I can’t help but want to share the news about each client I’m representing. 

 

Jennifer Carsen’s memoir landed in my inbox on a day when I had approximately four hundred and twenty nine things to do before 7 p.m.  And do you know how many of those things I got done?  None, zip, zilch, nada, nil.  That’s right, not one single thing.  Because I couldn’t put her mansucript down.  No matter how many times I said, “Okay, three more pages and THEN I HAVE TO DO OTHER WORK,” it turned out I was just lying to myself.   

 

In her own words, “Jennifer Carsen is a writer and recovering lawyer. After running—screaming—from the law after only 11 months of practice, she turned to a far more enjoyable career in words. Her humor essays have appeared in two recent Seal Press anthologies, Tied in Knots: Funny Stories From the Wedding Day and The Bigger the Better the Tighter the Sweater. She is also the author of the laugh-free HR How-to: Employee Retention and the equally unfunny Divorce Guide for Illinois. She lives in New Hampshire with her husband, Eric, and their two manic cats.”

 

I am so excited to be representing Jen’s book that I don’t even mind that she’s a cat person.

An embarassment of riches

Tuesday, September 15th, 2009

I’ve been lucky over the past few weeks to sign several wonderful writers with intriguing stories and approaches to their work, and today is another of those lucky days.  I’m pleased to announce that Rosie Molinary has joined the Salkind Agency and that I’ll be representing her book on activism.  As usual, I’ll post more details as we’re farther along in the process, but I have to say the minute Rosie’s proposal crossed my desk, I thought, “I know three hundred and eighty two people who need this book,” which is always a good start.

 

Rosie is the author of Hijas Americanas: Beauty, Body Image, and Growing Up Latina,  which was published by Seal Press in 2007.  She is currently working on Beautiful You, which will be published by Seal Press in Fall 2010.  She is also a contributor to magazines such as Teen Vogue, Latina, Skirt!, Women’s Health, Health and Lifetimetv.com.

 

In addition to writing, she teaches a course on body image for the women’s studies department at the University of North Carolina at Charlotte and speaks on body image, diversity, self-awareness, social justice and writing around the country.  She helped found HAMMERS, a non-profit initiative to provide emergency home repair for low income families in her community and Circle de Luz,  a non-profit program that provides mentoring, programming and scholarship support in order to empower young Latinas. 

 

I’m delighted to welcome Rosie aboard and look forward to finding the perfect home for her current project — and hopefully many more to come!

More lucky days

Thursday, September 10th, 2009

My new client, Jill Nicely, is one of those writers who knew what she wanted to do from the first time she picked up a book and started to read.   Since I’m one of those writers, too, I was delighted when Jill agreed to my offer of representation.  She’s worked in publishing, so I didn’t have to tell her how crazy this business can be, but she’s also got a fresh eye, a compelling voice and some great work that I can hardly wait to start showing to editors.   She just finished her M.S. in psychology and combines insights from her educational pursuits with a lively curiosity about the way the world works. 

Also, she is a just plain nice person.  Considering some of the people who land in my inbox, this is more important than you might think.   

You can learn a bit more about her and what she’s thinking and doing on her blog at: www.jillnicely.blogspot.com

I’m glad to welcome Jill to the Salkind Agency.

Another lucky day

Tuesday, September 8th, 2009

I’ve been fortunate to have so many talented and interesting people querying me for representation.   I keep waiting for all the clueless wannabes to strike, but they’ve been suspiciously quiet so far.  (Too quiet?)

This week, I’m continuing my lucky streak, and have just signed a new client, martial artist and psychic medium Jock Brocas.  When I asked him if it’d be okay for me to write about it on the blog, he said, “Go ahead and fill yer boots,” which is how you know he’s from Scotland.   You can read more about him at his website, www.jockbrocas.com

An expert on the paranormal, he uses his unique abilities in teaching the martial arts – an ex-military man, he’s been involved in Bujinkan and the esoteric arts for almost thirty years.  You can guess why I wanted to sign him on just about the minute he queried the agency.

Watch this space for more news about Jock and his book as we can share it!  

What I’m looking for - update

Thursday, September 3rd, 2009

Agent Kristen has a blog post on why some agents sell more books than others.  She talks a bit about being a new agent and figuring out your niche; I thought it was an interesting read because that’s exactly what I’m doing.   Here’s my update, now that I’ve been an agent for all of (glances at watch) two and a half months:

  • I’m not planning to represent children’s authors.  I have received a number of queries and submissions from children’s authors and I can tell that I just don’t have the experience (or interest) in guiding those careers.  It’s hard for me to decide if something is good or not, and since there are plenty of people who can tell, you’d be better off with one of them.  (My daughter is only interested in books about Disney princesses and giraffes, so she’s not much help.  If there were a book about Disney princesses riding giraffes, she’d be in hog heaven.  But I digress.) 
  • I’m still willing to look at YA.  I have more confidence that I know what’s good in YA, and I read a lot of it myself, so I know what I like.  Which is, in fact, way more helpful than it sounds.  Feel free to pitch that to me.
  •  Please don’t pitch me unless you have a complete proposal (for non-fiction) or a complete manuscript (for fiction).  Overall, I’ve been pleased and impressed with the quality of submissions I’m getting from people, but it is a huge waste of time for me to read queries for vaporware.  I know you just want to get a sense of the marketability for your idea/book before you actually do the work, but I can’t tell if you have something I can sell until you, you know, actually do the work.
  • Complete your memoir before you pitch me.  Yes, there are agents who will look at a proposal/table of contents and three sample chapters of a memoir, but I’m not one of those agents.  As a writer, I don’t think you know what the story is until you’ve written it and revised it a couple of times.  There are agents who disagree with me.  Pitch them.  Also: don’t try to write your memoir while you’re in the middle of it.  That’s a series of blog posts, not a memoir.  Good memoirs can seem immediate, raw and fresh, as if you’re in the middle of the situation right now, but a good memoir is the product of reflection, distance and perspective, which is something you don’t have immediately. 

   And that’s what I have for the moment.  More as I figure it out.

 

Fantastic first lines

Tuesday, September 1st, 2009

Sarah Mason had always thought that when Death finally came calling for her, he would be better-looking.

 

That’s the first line of Karen Robards’ 2006 novel, Vanished.  And if you would put down a book that opens like that, there is nothing I can do for you.

 

Here’s the thing: as a reader (and now as an agent), I’m willing to overlook some flaws in a novel if the beginning shows a lot of promise.  But if the beginning doesn’t hook me . . . (cue Jaws soundtrack).

 

I know you’ve heard that before.  And I can hear you tearing your hair out and screaming, but what does it meeeeeeean????

 

When we talk about openings and hooks, we often tend to focus on high concept ideas: a Connecticut Yankee gets plopped down into King Arthur’s court and high-jinks ensue.  A high school kid has to get back to the future.  Those kinds of hooks can indeed get a reader to turn the page (or a movie-goer to keep watching the screen).  But not every novel has one and not every novel should.  How then do you hook the reader?

 

We often say, by giving the reader a reason to care.  (And yes, I can still hear you screaming, but what does it meeeeeeean???)

 

There are all sorts of possibilities we could sort through, many having to do with making the reader identify with the protagonist, and so on, but here’s what you really need to do:  Show the reader the conflict that’s about to happen — and show it from the very first page.  Even from the very first sentence.  If you can’t guess the core of the conflict in Vanished from the sentence I quoted above, you’re just not trying hard enough.

 

I’m not saying dump your protagonist in the middle of Afghanistan and start shooting at him, although that’s not necessarily bad or wrong.  I’m just saying if I don’t see a hint of conflict on the first page, I’m probably not turning to the second.  Not even if I really like your protagonist and your prose is really excellent.

 

What are some of your favorite first lines and why?