Archive for January, 2010

Stay tuned!

Friday, January 29th, 2010

When I began this blog, I intended for it to be a place for writers and other creative types to get encouragement, tools for motivation, and solid information about the writing and publishing processes.  That purpose (those purposes?) got hijacked when I started working as an agent for the Salkind Agency.

 

So, going forward, I’m going to be moving the emphasis back to talking about the writing process/motivation/getting things done and not so much on agency business.  Do continue to feel free to ask questions about agenting for me to answer here.

 

Hope you enjoy!

Asking me out: conferences

Thursday, January 21st, 2010

I have been invited to three writers’ conferences so far this year.  I have accepted one invitation.  Let me explain why. 

The reason why I attend conferences as an agent is to connect with writers who may now, or in the future, develop an excellent nonfiction book idea (or write a great novel).  That’s it.  I don’t go for the atmosphere or the food or because I have nothing better to do on weekends.  (Although if anyone wants to invite me to Maui, I could be persuaded.)  I like to share what I know, that’s true, but I can do that on this blog as easily as I can in a workshop.

Taking three or four days off to attend a conference requires a great deal of  effort, organization and expense on my part.  I have a personal life; going to a conference necessarily infringes on that.   Weigh those negatives against the positives — potential for clients and the chance to hang out with writers — and it’s never a sure thing that I’ll go.  I can get clients sitting here at my desk. 

So here’s why I accepted one invitation and not the others.  The organizer for the “yes” conference had a clear idea of what she wanted me to do and when she wanted me to do it.  She proposed her plan, and stated her intention of paying for travel and lodging.  She gave me a sense of what the conference was going to be like, and how many people had attended in the past.   All in all, the conference seemed well organized and the invitation was gracious, welcoming and sent in plenty of time for me to make plans.

In contrast, I was invited to attend another conference but with no expenses paid.  I love writers and I even enjoy attending writers’ conferences, but if you’re going to ask me to work all weekend, the least you can do is pay my travel and lodging expenses. I’m not paying out of pocket for the privilege.

The third conference was an invitation that was apparently sent to everyone in the universe who calls himself/herself an agent or an editor.  We were invited to submit proposals for panels that we would give and we’d be informed if our panel was selected.  No word about expenses paid, but I can guess.  Frankly, I have many better things to do with my time than beg people to consider having me work their conference.  Most legitimate agents I know feel the same way.   Now, before someone says, “But that’s the way RWA has always done it!” let me reassure you that I’m not talking about RWA, which is a conference unto itself; I’m talking about a regional conference someone put together without seriously thinking about what they were doing.     

If you want your conference to be taken seriously by agents and editors, you will want to build in a method for paying the expenses of the professionals who’ll attend, and you’ll want to invite them specifically and individually.  I can promise you that you’ll have a lot more success that way.

Agency business: One at a time, please!

Tuesday, January 19th, 2010

Since the Salkind Agency has expanded, the agents here are running into a situation where some authors are querying all of us at once.  This creates a problem, as we share queries with one another anyway, and we don’t like to spend time considering the same work someone else at the agency is considering.  As you can imagine, our inboxes are full enough as it is!

For this reason, we’ve developed a new policy: we request that authors query only one of us at a time.  Note that we’re not saying you can’t query agents at other agencies simultaneously to querying one of us.  We’re just saying that you need to query agents at the Salkind Agency one at a time. 

In general, if any of us gets a query that isn’t quite right for us but could be right for someone else at the agency, we will pass it along.  However, if that doesn’t happen, and you receive a rejection from one of us, you’re free to query someone else here anyway.  But please don’t query all of us — or more than one of us — at a time.  We all respond very quickly to queries, so you will have an answer quickly.

Thank you!

Update: Response times and pitching tips

Thursday, January 14th, 2010

When I first started out as an agent, I was able to respond almost immediately to query letters and to respond within a week or two to partial manuscripts and non-fiction book proposals.  This was because I knew most of the people who were querying me, and I did not get as many queries each week as I do now.   

So, my response times have changed.  For queries, I now generally respond within a week of receiving them, but do allow two before e-mailing me to ask if I received your query.

I do accept unsolicited proposals (for non-fiction) and the first chapter/30 pages of a novel manuscript as long as they are accompanied by a pitch.  The pitch (query) should be in your e-mail to me, and the proposal or manuscript pages included as an attachment.  I need to emphasize the importance of sending your query in the e-mail itself, not as an attachment.  I don’t open attachments to read query letters. If you send something more than a pitch letter to me (i.e., a non-fiction proposal or partial manuscript), expect it to take me about a month to respond. 

If I request a full manuscript (for fiction), it will take me 2 - 3 months to respond.   

You are free to e-mail me to follow up, but please allow some time for me to respond, as outlined above.  Following up is professional and admirable, especially considering that e-mails don’t always reach their intended recipients; displaying impatience, annoyance and a tendency to ask, “Have you read it yet?” every thirty-seven seconds is not. 

Please note: I am NOT representing children’s and young adult.  Feel free to pitch me practically anything else.

Also, please note: I don’t respond to queries I can make no sense of, queries that are copied to every agent in the known universe, and queries that aren’t queries but are requests for instructions on how to write queries. 

Phew.  Thank you for your time.

Milwaukee, Here I Come!

Tuesday, January 12th, 2010

I have been invited to be part of the Milwaukee Spring Writers Festival, which is held annually in March (this year, it’s the 5th through the 7th).  I’ll be doing a pre-conference workshop, participating in a panel and doing pitch sessions, which should make me nicely exhausted in time for work on Monday morning. 

I love Milwaukee, and I’m not just saying that because the conference organizers were wise enough to invite me there.   If you’re in the area, drop by and attend some of the festivities!

A Day in the Life

Thursday, January 7th, 2010

Yesterday I sat down at the desk with a cup of tea shortly after seven-thirty.  By nine-thirty, I had:  

  1. read a client’s proposal and offered feedback
  2. started working on pitch
  3. responded to a request for further information from an editor interested in a client’s project, which required a couple of phone calls and two e-mails
  4. talked with a client about my strategy for her book
  5. wrote a blog post
  6. started compiling a list of editors to pitch a client’s project, which required mining my list of contacts, the agency’s list of contacts, plus the super-secret database that only the special publishing cabal knows about (that was a joke, in case you’re wondering)
  7. read a potential client’s proposal, but had to pass
  8. talked with a client about platform building strategies
  9. followed up on several outstanding submissions
  10. wrote a note that will eventually go to web guy about website updates
  11. turned down a couple of queries – all interesting, but nothing I felt strongly that I could sell

And I still feel like I didn’t get anything done.

How to: Make Your Book More Marketable

Tuesday, January 5th, 2010

Some ideas to consider for making your book more appealing to agents and editors: 

 

  • Expand your niche.  Sometimes agents and editors like a book but don’t think the primary audience for it is big enough.  You can expand your niche by adding secondary audiences.  A book for straight parents of gay teens can also be marketed to include school professionals  and other family members and friends.
  • Focus on one genre or another, not ten.  You may think that your erotic paranormal futuristic romantic suspense will appeal to readers in all the genres represented but that’s not always true.  It can seem muddled instead of inclusive.  Editors and agents need to know what shelf the book should go on in the bookstore.  Pick one to emphasize and don’t worry about the rest.
  • Emphasize the timeliness of your idea by tying it to current events (but don’t make it too timely – book publishing is a slow business).
  • Restructure your book.  When I originally conceived the idea for Dojo Wisdom, it was for the book to be narrative non-fiction.  At the time, narrative non-fiction wasn’t one-tenth as popular as it is now, so I capitalized on a trend and broke the book into lessons.  You can use a similar approach to break your magnum opus into two companion books or a trilogy, turn your general nonfiction book into a prescriptive self-help, and so on.
  • Work on your platform.  A writer with a lot of fans is irresistible to agents and editors.  Consider ways to connect online and offline with readers who’ll line up to buy your book
  • Make your book bigger.  This isn’t a word count issue but a vision issue.